Pink floyd the piper at the gates of dawn - Pink Floyd - The Piper At The Gates Of Dawn at Discogs


"We’ve been arguing about it [track selection] since May. Nick sent us a list right at the beginning, then he seemed to lose interest. Rick never seemed to want to get involved in it. It wandered along rather fitfully until recently, when I thought I'd better work out what we should be trying to do with it, whether we should try and represent every album or not, and on what basis we should be choosing songs. In the end we had to get everyone to vote on a list. (...) I agree [that most of the songs seemed to have picked themselves] . When I look at it, its bloody obvious really. It's amazing how long the process has been getting it sorted out."

In 1967, Pink Floyd began to attract the attention of the music industry. [33] [nb 8] While in negotiations with record companies, IT co-founder and UFO club manager Joe Boyd and Pink Floyd's booking agent Bryan Morrison arranged and funded a recording session at Sound Techniques in West Hampstead . Three days later, Pink Floyd signed with EMI, receiving a £5,000 advance (equivalent to £83,300 in 2016 [23] ). EMI released the band's first single, " Arnold Layne ", with the B-side " Candy and a Currant Bun ", on 10 March 1967 on its Columbia label. [35] [nb 9] Both tracks were recorded on 29 January 1967. [36] [nb 10] "Arnold Layne"'s references to cross-dressing led to a ban by several radio stations; however, creative manipulation by the retailers who supplied sales figures to the music business meant that the single peaked in the UK at number 20. [38]

Show: All Studio Live Collection Soundtrack Syd Barrett Roger Waters Rick Wright Nick Mason David Gilmour 1960s 1970s 1980s 1990s 2000s

The title of Pink Floyd 's debut album is taken from a chapter in Syd Barrett 's favorite children's book, The Wind in the Willows, and the lyrical imagery of The Piper at the Gates of Dawn is indeed full of colorful, childlike, distinctly British whimsy, albeit filtered through the perceptive lens of LSD. Barrett 's catchy, melodic acid pop songs are balanced with longer, more experimental pieces showcasing the group's instrumental freak-outs, often using themes of space travel as metaphors for hallucinogenic experiences -- "Astronomy Domine" is a poppier number in this vein, but tracks like "Interstellar Overdrive" are some of the earliest forays into what has been tagged space rock. But even though Barrett 's lyrics and melodies are mostly playful and humorous, the band's music doesn't always bear out those sentiments -- in addition to Rick Wright 's eerie organ work, dissonance, chromaticism, weird noises, and vocal sound effects are all employed at various instances, giving the impression of chaos and confusion lurking beneath the bright surface. The Piper at the Gates of Dawn successfully captures both sides of psychedelic experimentation -- the pleasures of expanding one's mind and perception, and an underlying threat of mental disorder and even lunacy; this duality makes Piper all the more compelling in light of Barrett 's subsequent breakdown, and ranks it as one of the best psychedelic albums of all time.


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